“We couldn’t miss another ship date”: Atlas MovePack on Flexographic Printing + Digital for Corrugated Boxes

“We couldn’t miss another ship date,” said the operations director at Atlas MovePack, a mid-sized corrugated converter focused on moving kits and e‑commerce shippers. The brief sounded simple—hold quality, tighten changeovers, keep costs in check—but the plant floor told a different story: rising SKU complexity and seasonal surges were pushing their line to the edge.

On a Tuesday in early spring, the team toured ecoenclose in ecoenclose louisville co. They weren’t shopping for hype; they wanted practical specifications for recycled Kraft liners, realistic guidance on Water-based Ink behavior, and a blueprint for corrugated Box converting that would survive July humidity and December peaks. The ask was blunt: help us stabilize.

From a production manager’s lens, this case isn’t about shiny gear. It’s about routing rules, ink control, and a realistic mix of Flexographic Printing and targeted Digital Printing on Corrugated Board. It’s also about competing with a market where buyers can price-check moving boxes at lowes in seconds, then hop across borders and compare cheap moving boxes uk. The pressure is real; the solution had to be grounded.

Company Overview and History

Atlas MovePack has two sites and three flexo folder‑gluers, running B‑flute and a healthy mix of RSC and custom die‑cut Boxes. They serve regional retailers and direct‑to‑consumer brands with moving kits, wardrobe cartons, mailers, and inserts. Their monthly volume sits in the 1.2–1.5 million box range, but the SKU count swings between 600–800 depending on season and promotional runs.

Their customers judge on two things: ship‑date reliability and box integrity on arrival. That means predictable board strength, consistent Die‑Cutting and Gluing, and ink that resists scuffing without resorting to heavy Varnishing on every job. Atlas had a sustainability mandate, too—more recycled Kraft Paper, FSC sourcing where possible, and alignment with SGP principles—without expanding their footprint.

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Cost and Efficiency Challenges

The baseline wasn’t catastrophic, but drift was creeping in. Plant FPY hovered around 82–85%, and waste ran 7–9% on multi‑SKU days. Changeovers stretched to 38–45 minutes on the busiest assets, especially when jumping from bold, high‑coverage graphics to light line art. Color consistency suffered on recycled liners; ΔE drift above 3.0 happened too often, which forced reprints that didn’t fit into already tight windows.

Two things compounded the problem. First, seasonal humidity drove warp on lighter board grades, creating intermittent jam points and marginal registration during Flexographic Printing. Second, procurement pressure was unrelenting. When buyers can cross‑shop cheap moving boxes uk from discounters, price tolerance narrows quickly, yet quality expectations don’t budge. Atlas needed a controllable process, not a hero run every Friday night.

There were also practical limits: no new building, limited capex, and a workforce stretched thin. The team had to find gains through process control, not just new machines. Training gaps around Water‑based Ink management (pH/viscosity) and anilox selection were quietly eroding consistency. The turning point came when they accepted that a single technology wouldn’t cover every run length or graphic demand.

Solution Design and Configuration

The brand partnered with ecoenclose to redesign their packaging line playbook. The backbone stayed Flexographic Printing with Water‑based Ink on Corrugated Board, but with a new anilox schedule and stricter ink room standards: pH held in a tighter window, viscosity checked with each job start and at mid‑run, and a refresh of doctor blade specs. They calibrated to G7 for design families with shared brand colors and set ΔE action limits tied to real press behavior, not just lab ideals.

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For short‑run campaigns and seasonal personalization, Atlas added a compact Digital Printing module downstream of the primary line. No attempt to make digital carry the plant—just a smart carve‑out for variable data and quick‑turn SKUs. They moved to recycled Kraft liners consistent with ecoenclose boxes specs and standardized Die‑Cutting tools across the top 40 SKUs to reduce setup friction. Workflows captured ISO/IEC 18004 (QR) for inventory and return routing, and FSC remained the default for board supply.

There was a trade‑off: Water‑based Ink is kinder on food‑adjacent packaging and aligns with sustainability targets, but it demands discipline in drying and board handling. Digital cost per print isn’t ideal for very long runs. So the routing rule was simple: graphic coverage + run length + customer deadline decide the path. In parallel, Atlas added a small training module for pack‑out teams with a plain‑English note on a customer favorite—”how to store moving boxes”—flatten when not in use, keep dry above floor level, and avoid direct sunlight to preserve Kraft integrity. It reduced support calls and gave the print a practical afterlife.

Full-Scale Ramp-Up

Commissioning ran in three sprints over six weeks: (1) color and impression control under ISO 12647/G7, (2) changeover choreography, and (3) short‑run digital routing with sample approval loops. Early hiccups included tack shifts as shop temperature changed and a batch of CCNB top sheets that delaminated at the die‑cut. They built a simple quarantine test—peel, fold, and tensile checks—before releasing suspect pallets to the press floor. It wasn’t glamorous, but it worked.

Operator buy‑in mattered. The senior press lead didn’t love the new anilox map at first; he was right that a few legacy graphics needed a different cell volume. They adjusted, updated the recipes, and moved on. Drying curves were refined with real kWh/pack trend logs, not hunches. Humidity alerts went on a whiteboard next to the ink room, and when summer hit, the team was ready. None of this was magic; it was just disciplined production.

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Quantitative Results and Metrics

Fast forward six months and the numbers told a calmer story. Waste held in the 3–4% range on blended SKU days. FPY landed around 92–94% on sustained weeks, even with promotional spikes. Average changeover time came down to 18–22 minutes on the core assets. On‑time delivery moved from 89–91% to 96–97%, which mattered more to customers than any single print sample on a conference table.

Color sat where it needed to: average ΔE clustered between 1.8–2.2 on brand colors after G7 discipline, with outliers flagged in real time at the console. Energy intensity dropped as well; kWh/pack trended 8–12% lower once drying and routing rules settled. With recycled liners and a leaner process, CO₂/pack modeled 10–14% lower, using a conservative LCA boundary. These are ranges because real plants breathe; we prefer honest bands to one‑off best days.

From a financial view, the blended approach penciled out to a 12–16‑month payback window. The caveat: If SKU creep accelerates, digital’s share must stay disciplined, or the cost curve bends the wrong way. That’s a trade‑off Atlas understands. Based on insights from ecoenclose’s work with converters aiming for practical sustainability, the combo of recycled Kraft, Water‑based Ink, and fit‑for‑purpose Digital Printing is less about perfection and more about balance—and that balance is exactly what Atlas needed from start to finish.

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